Cinema’s 101 Greatest
My fellow citizens in Cambridge, UK are trying to save the only cinema we have left for our ‘indie’ and international films. Petition here: Change.org
In light of this petition, as with my previous post, I have decided to compile a list of what I would consider the greatest films of all-time. Once again, although these are numbered, I consider them all to be on an equal footing.
In the quiet I wrote of something, something that broke the higher I spoke and my voice choked on letters unwritten.
As before, all non-English films were watched in the langue originale, with subtitles in the case of those I could not understand. The only rule I had when making this list was that I could not choose a film that I had not watched. The film highlighted in bold is what I consider to be the greatest work of cinema ever recorded; whilst that in italics is my favourite film:-
- 4 Months, 3 Weeks & 2 Days by Cristian Mungiu, Romania
- 8½ by Federico Fellini, Italy
- Alphaville by Jean-Luc Godard, France
- Amélie by Jean-Pierre Jeunet, France
- Annie Hall by Woody Allen, United States
- Apocalypse Now by Francis Ford Coppola, United States
- Bande à Part by Jean-Luc Godard, France
- The Battleship Potemkin by Sergei Eisenstein, Russia
- Berlin Alexanderplatz by Rainer Werner Fassbinder, Germany
- The Bicycle Thief by Vittorio de Sica, Italy
- Black God, White Devil by Glauber Rocha, Brazil
- Blade Runner by Ridley Scott, United States
- Bonnie & Clyde by Arthur Penn, United States
- Bowling for Columbine by Michael Moore, United States
- Breathless by Jean-Luc Godard, France
- Breakfast at Tiffany’s by Blake Edwards, United States
- Brief Encounter by David Lean, England
- Brother Sun, Sister Moon by Franco Zeffirelli, Italy
- Casablanca by Michael Curtiz, United States
- The Children of Paradise by Marcel Carné, France
- Citizen Cane by Orson Welles, United States
- City of God by Fernando Meirelles, Brazil
- The Count of Monte Cristo by Rowland Lee, United States
- Chungking Express by Wong Kar-wai, Hong Kong
- Cyrano de Bergerac by Jean-Paul Rappeneau, France
- The Discreet Charm of the Bourgeoisie by Luis Buñuel, France
- La Dolce Vita by Federico Fellini, Italy
- Dr. Strangelove or: How I Learned to Stop Worrying & Love the Bomb by Stanley Kubrick, United States
- Drunken Master II by Lau Kar-Leung, Hong Kong
- Eternity and A Day by Theodoros Angelopoulos, Greece
- Gandhi by Richard Attenborough, India / England
- Gilda by Charles Vidor, United States
- The Godfather, Parts 1 & 2 by Francis Ford Coppola, United States
- The Good, the Bad and the Ugly by Sergio Leone, Italy
- Gone with the Wind by Victor Fleming, United States
- Grand Illusion by Jean Renoir, France
- Hamlet by Grigori Kozintsev, Russia
- A Hard Day’s Night by Richard Lester, England
- Henry V by Laurence Olivier, England
- Hiroshima, mon Amour by Alain Resnais, France
- Hotel Chevalier & The Darjeeling Limited by Wes Anderson, United States
- The Iron Giant by Brad Bird, United States
- It’s A Wonderful Life by Frank Capra, United States
- Kind Hearts and Coronets by Robert Hamer, England
- The Last Emperor by Bernardo Bertolucci, Italy
- Last Year at Marienbad by Alain Resnais, France
- Lawrence of Arabia by David Lean, England
- The Leopard by Luchino Visconti, Italy
- Life is Beautiful by Roberto Benigni, Italy
- The Long Absence by Henri Colpi, United States
- The Lord of the Rings by Peter Jackson, New Zealand
- The Maltese Falcon by John Huston, United States
- Melancholia by Lars von Trier, Denmark
- Metropolis by Fritz Lang, Germany
- Midaq Alley by Jorge Fons, Mexico
- Mon oncle d’Amérique by Alain Resnais, France
- Monty Python’s Life of Brian by Terry Jones, England
- Notorious by Alfred Hitchcock, United States
- Nuovo Cinema Paradiso by Giuseppe Tornatore, Italy
- Obaltan by Yu Hyun-mok, Korea
- Olympia, Parts 1 & 2 by Leni Riefenstah, Germany
- One Flew Over The Cuckoo’s Nest by Milos Forman, United States
- Out of Africa by Sydney Pollack, United States
- Out of the Past by Jacques Tourneur, United States
- The Passion of Joan of Arc by Carl Theodor Dreyer, France
- Pather Panchali by Satyajit Ray, Bengal
- Perfect Blue by Satoshi Kon, Japan
- Persona by Ingmar Bergman, Sweden
- The Philadelphia Story by George Cukor, United States
- The Pianist by Roman Polanski, Poland
- The Piano by Jane Campion, New Zealand
- Pulp Fiction by Quentin Tarantino, United States
- Psycho by Alfred Hitchcock, United States
- Rebecca by Alfred Hitchcock, United States
- The Red Shoes by Michael Powell & Emeric Pressburger, England
- Rocky by John Avildsen, United States
- Romeo & Juliet by Franco Zeffirelli, Italy
- A Room with A View by James Ivory, England
- The Rules of the Game by Jean Renoir, France
- Schindler’s List by Steven Spielberg, United States
- Scream by Wes Craven, United States
- The Shooting Party by Alan Bridges, England
- Spartacus by Stanley Kubrick, United States
- Spirited Away by Hayao Miyazaki, Japan
- Star Wars, Episodes IV & V by George Lucas, United States
- A Street Car Named Desire by Elia Kazan, United States
- Sunset Boulevard by Billy Wilder, United States
- Szerelem by Károly Makk, Hungary
- Talk to Her by Pedro Almodóvar, Spain
- Taxi Driver by Martin Scorsese, United States
- The Third Man by Carol Reed, England
- To Kill a Mockingbird by Robert Mulligan, United States
- Tokyo Story by Yasujiro Ozu, Japan
- Ugetsu by Kenji Mizoguchi, Japan
- The Umbrellas of Cherbourg by Jacques Demy, France
- Vertigo by Alfred Hitchcock, United States
- La Vie en Rose by Olivier Dahan, France
- Wings of Desire by Wim Wenders, Germany
- Withnail & I by Bruce Robinson, England
- Wuthering Heights by William Wyler, United States
- Yojimbo by Akira Kurosawa, Japan
Once again, what’s on your list?